Kai and Aki dream of building a giant fighting robot based on a super-popular anime, but that's going to be impossible if they don't get more members into their school's Robot Research Club. They'll take anyone they can talk - or force - into joining them, including an eccentric robotics champion with a secret identity and a l33t video-game designer who's spent one too many late nights online. Finally, their goal looks like it's within reach. But when a sentient AI program tells Kai about mysterious documents hidden on the internet, things start to get strange for everyone. As the club members track down the secret messages, they realize that the information might be far bigger - and more dangerous - than they expected. Contains episodes 1-11 Spoken Languages: English, Japanese, English subtitles.
Robotics;Notes could be called You Can Build Your Own Giant Robot! It’s about geeks engaged in a preposterous project; building the mecha they’ve seen in anime for real. The show’s aimed at viewers who might think they really could. After all, they’d probably heard of otaku who have built oversized robots for real.
Paul Jacques has gotta catch'em all at the London Super Comic Con
Lisa Moffatt and Natasha Fountain spread their wings as Moltres and Articuno from the unstoppable Pokemon franchise, snapped by our roving photographer Paul Jacques at the London Super Comic Con back in the spring.
Andrew Osmond tries to make sense of Sunrise's mad new anime
As regular subscribers to Manga Entertainment’s podcast and twitter feed will know, there was some confusion about whether Sunrise’s new comedy-fantasy-action-fanservice series was called (deep breath) Horizon on the Middle of Nowhere or Horizon in the Middle of Nowhere. We’re calling it the former in the UK, although releases elsewhere have plumped for the “in” option. Either way, it sounds less weird and Escheresque once you know that Horizon is the name of a pivotal female character in the series. But it reflects the inescapable fact that Horizon is, well, confusing.
Opening with a running fight down a freeway where anti-tank missiles and heavy vehicles are tossed around like party favours, the first episode never lets up, setting a standard that the show maintains throughout.
Both Puella Magi Madoka Magica and Mawaru Penguindrum are strange, subversive creatures. They’re anime that borrow the ideas and imagery of cartoons for young children, but they’re aimed at much older viewers.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.