The guild is trapped in a parallel world run by an insane king determined to steal every last drop of magic power from Fairy Tail. Spells start flying as the wizards square off against the fiercest warriors of the royal army, humans rebel against cats, and Erza goes head-to-head with her evil doppelganger in a battle that lays waste to an entire city. When the power-hungry monarch harnesses the power of the Dragon Slayers, he ignites all-out war. But his ambition doesn't stop there: once Natsu and his teammates are out of the picture, he's heading to the Fiore Kingdom to steal all of its magic as well. Fairy Tail's actions will decide the future of two worlds, but they'll be lucky if they can save even one of them. The fate of two worlds is in their hands. Contains episodes 85-96. Spoken Languages: English, Japanese, English subtitles.
Matt Kamen is your guide to the world of Fairy Tail!
Welcome to Earthland, where magic runs rampant and professional wizards sell their talents to the highest bidder! Populated by all kinds of mystical creatures, it’s a place of wonder but also one filled with peril.
Mystic action abounds in the second thrilling collection of Fairy Tail, as flame-spewing Natsu, ice-mage Gray, summoner Lucy and the rest of the gang take on sorcerous threats across the world of Earthland. The series is based on the long running manga by Hiro Mashima, and as the anime closes in on its 150th episode in Japan, it’s clearly shaping up to be the next Naruto or Bleach, delivering ongoing adventure to a devoted audience. Unlike a certain orange ninja or black-garbed grim reaper though, Fairy Tail’s roots do not lie in the pages of the famous Weekly Shonen Jump anthology.
It’s been said that two’s company, three’s a crowd. But for Japanese electro-pop duo AIRI and Koshiro, two is more than enough to party – to MAGIC PARTY! At least if the cutesy name of the pair’s musical project is to be believed.
Unlike a number of the bands featured on the Manga UK blog, W-inds haven’t had much of a history with anime tie-ins despite their massive success. In fact, in 14 years they’ve only ever done two anime themes; their first in Akira Amano’s Katekyo Hitman Reborn!, and more recently with Hiro Mashima’s Fairy Tail, where their 29th single Be as One became its sixth ending.
If you’re reading this blog, there’s a fair chance that the idea of visiting Japan has crossed your mind a few times. American-born Jamil Abbas Kazmi had a similar thought, though he wanted to take it one step further by establishing a career out there.
Paul Jacques finds a princess and a... erm... scholar
Cosplaying away at Birmingham's Comic Con, Meg Atwill dresses up as Estellise Sidos Heurrasein (or Estelle for short), accompanied by Aimee Tacchi as the whip-wielding scholar Rita Mordio, both from Tales of Vesperia.
Fans of K-On! The Movie’s lovely and realistic vision of London may not be aware that in between that film and Steamboy’s loving depiction of a steampunk-era Manchester and London rests a show that is as accurate as either, and yet is also arguably the most English anime show ever made. Yet it still cannot be bought on DVD in the UK itself.
The new Manga Entertainment podcast includes a discussion of legitimate anime streaming sites – in other words, the ones that send money to the Japanese studios which make anime, thereby supporting the industry. (Rather than the other streaming sites, which just steal anime and make it less likely there’ll be anime to steal in the future.)
Andrew Osmond on the controversy of Miyazaki's last feature
As Miyazaki’s film itself makes clear, Horikoshi was a cog in Japan’s military machine at the time of the country’s most aggressive expansion. This was when Japan was moving into China, proclaiming what it called the “Greater East Asian Co-Prosperity Sphere,” which really meant Japanese imperialist supremacy in East Asia.
Andrew Osmond on Miyazaki’s love for a French classic
The King and the Mockingbird was one of the films which taught Miyazaki and Takahata that you could make an animated feature without following studio formulae – something they strove for themselves as early as Takahata’s 1968 Marxist epic The Little Norse Prince.