The Fourth Great Ninja War has begun and even the strongest fight to survive! The quest for power and struggle for control leads many heroes down hard roads. Sasuke's revelation of Naruto's potential and defeat in combat lead him to consider the path of Orochimaru. While Naruto continues to master the power within under the watchful eye of Killer Bee, the Allied Shinobi Forces confront Madara and Kabuto's army of Reanimated Shinobi and White Zetsu. Can the alliance hold long enough to stop the army?
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
Tom Smith dives in to the band behind Naruto Shippuden Box 15
Who’s NICO, and what’s their obsession with walls? It’s a question you may ask yourself upon discovering the artist name behind Naruto Shippuden’s eighth opening theme. They call themselves NICO Touches the Walls and, despite the ridiculous name, they are a pretty big deal in Japan right now.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
As Naruto ups the ante and swears to take on Sasuke alone in box set 18 of Naruto Shippuden, the team responsible for the encompassing episodes’ ending theme have also took it upon themselves to up the pace.
Babymetal, anime apartheid and MazandaRanting in our 25th podcast.
Jeremy “Care in the Community” Graves is joined by Manga UK’s Jerome “Twitter Hijacker” Mazandarani and Product Manager Andrew “Mr Manga” Hewson, and special guest Stuart Ashen, star of Ashens and the Quest for the Gamechild, out now. Not sure any of those names will stick.
Since our announcement we have had it confirmed by TOEI Animation (The Licensor) that the masters being used for our release will be those used in Australia by Madman Entertainment. At the time of our announcement this had not been confirmed to us.
Animation for the old... there's only one way to settle this... FIGHT!
Wrinkles is a new grown-up Spanish animated film about elderly people in a care home. Hang on a bit, that can’t be right. Animation and the elderly; they’re two things which have nothing to do with each other. Well, except for...
Andrew Osmond on the history of animation’s corner-cutting secret
Rotoscoping and its descendants are an important part of American cinema, and recognised today. Many film fans know, for example, that Gollum, Peter Jackson’s King Kong and the rebel anthropoid Cornelius in the Planet of the Apes reboot are all based on physical performances by one actor, Andy Serkis. Again, it’s common knowledge that the Na’vi aliens in Avatar were human actors ‘made over’ by computer – the digital equivalent of those guys wearing prosthetic foreheads and noses in the older Star Trek series.
Tom Smith finds another band with an unspellable name
Meet Ling tosite sigure. Their name may be confusing to pronounce (for anyone interested, it’s more like ‘rin tosh-teh shi-goo-reh’), but that didn’t holdback Japan’s music-loving community from rushing to their local CD-shops and grabbing a copy of the band’s latest album i’mperfect, out now also in the UK thanks to JPU Records.
It’s notable that, despite what you might think looking at the franchise now, Yu-Gi-Oh! was not conceived as a card game tie-in, any more than Totoro was made to sell soft toys (though both benefitted hugely from the spin-offs). When it began, the Yu-Gi-Oh! manga was rather different from the anime which most people know.
Andrew Osmond on the history of man-machine interfaces
RoboCop is thrown into interesting perspective by looking at his anime cousins. In Japan, RoboCop is one of a crowd. Two of anime’s greatest poster icons – Motoko Kusanagi in Ghost in the Shell and Tetsuo in Akira – are or become cyborgs. Moreover, a man-turned-robot was an anime hero back in 1963. We’re talking about 8th Man, shown in America as Tobor the Eighth Man. It’s a policeman who, yes, gets murdered by a crime gang, then resurrected in a robot body.
Right, hands up those of you who have been betting on which 1990s anime would get a Western live-action remake first. Ok, who had Ghost in the Shell? Evangelion? Cowboy Bebop? But Yasuomi Umetsu’s notorious sexed-up actioner Kite (1998) has beaten them all to the screen, starring anime fan Samuel L. Jackson.