aruto declares to his friends his intention to take on Sasuke by himself, while the Elders of the Leaf make a serious decision about who will fill the vacant seat of Hokage: Kakashi! In Mount Myoboku, Gerotora, Fukasaku and the Great Lord Elder debate whether or not to give Naruto the key to the Tetragram Seal that Gerotora holds, an act that could potentially unleash Nine Tails. Meanwhile, Tsunade recovers from her coma and, having grasped the situation, issues orders to prepare for war! Contains episodes 219-231. Special Features: Additional Scenes, Production Sketches, Storyboards. Spoken Languages: English, Japanese, English subtitles.
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
Tom Smith dives in to the band behind Naruto Shippuden Box 15
Who’s NICO, and what’s their obsession with walls? It’s a question you may ask yourself upon discovering the artist name behind Naruto Shippuden’s eighth opening theme. They call themselves NICO Touches the Walls and, despite the ridiculous name, they are a pretty big deal in Japan right now.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
As Naruto ups the ante and swears to take on Sasuke alone in box set 18 of Naruto Shippuden, the team responsible for the encompassing episodes’ ending theme have also took it upon themselves to up the pace.
“Try ‘n boogie, guns n’ tattoo” – there’s no greater embodiment of Kenichi Asai’s work than that opening line. As the words are dragged across the bluesy, rock n’ roll riff of Mad Surfer – the Japanese rebel’s song used as the 20th closing of Bleach – it’s difficult not to imagine smoke filled bars, motorcycles or leather jacketed misfits sporting hairdos your mother wouldn’t approve of.
Andrew Osmond on the history of man-machine interfaces
RoboCop is thrown into interesting perspective by looking at his anime cousins. In Japan, RoboCop is one of a crowd. Two of anime’s greatest poster icons – Motoko Kusanagi in Ghost in the Shell and Tetsuo in Akira – are or become cyborgs. Moreover, a man-turned-robot was an anime hero back in 1963. We’re talking about 8th Man, shown in America as Tobor the Eighth Man. It’s a policeman who, yes, gets murdered by a crime gang, then resurrected in a robot body.
The story behind Hayao Miyazaki’s first and greatest heroine
“There has come the advent of the angel of light, the one who will lead you to the pure land. She who loves the forest and talks with the insects… She who calls down the wind, and rides upon it like a bird. And that one shall come to you, garbed in raiment of blue, descending upon a field of gold, to forge anew our ties with the lost land.”
When is it okay for a real-life disaster to become entertainment?
How soon is too soon? The question’s raised by the new Godzilla trailer, the first half of which seems to be all about recreating traumatic events as fantasy, just three years after they occurred. Specifically, the trailer opens with a disaster at a Japanese power station, before segueing into images of a giant wave sweeping into a town with devastating force. Both images seem less ripped than Xeroxed from the headlines of March 2011, when northern Honshu (Japan’s mainland) was struck by an earthquake which caused a tsunami, killing thousands, and the meltdown at Fukushima.
Jasper Sharp reviews a book-length collection on the “God of Manga”
Tezuka’s Manga Life is a scholarly and much-needed attempt to sort out the wheat from the chaff of the Tezuka myth, with its 22 contributors spread over 300+ pages attempting to put the vast output of the prodigious manga artist into context.
Andrew Osmond investigates the long love affair between samurai and cowboys
28th February sees the classic Hollywood Western go East. Yuresarazaru Mono has the English title Unforgiven; it remakes the celebrated 1992 Western of that name, which was directed by its star Clint Eastwood and won the Best Picture Oscar.
Suzuki’s swansong will be the ultimate in exclusivity
Rough artwork has been leaked of Studio Ghibi’s next film, announced as the ultimate in collectibles: a film released in a single print, with a guarantee of no DVD or Blu-ray release. Slated for release in one year’s time, Gertie the Dinosaur began with the most unlikely of inspirations for a much-loved children’s studio.
Andrew Osmond talks to the director of Shin-chan and Colorful
As the eleventh Japan Touring Film Programme heads through Britain (see here for venues and here for our write-up), we took the opportunity to speak to the director of the anime entry, the feature film Colorful. Keiichi Hara has been working in anime for thirty-odd years, gaining experience through working with two of Japan’s most popular kids’ characters, Doraemon and Crayon Shin-chan. He then graduated to his own projects, and is now a freelancer who pushes at the boundaries of what anime can be.