The Fourth Great Ninja War intensifies as the Allied Forces face the might of the Reanimated Jinchuriki, who have been equipped with both the Rinnegan and Sharingan. Naruto tries to convince the Four Tails that he’ll free him and the other Tailed Beasts from Madara’s control. While listening to Naruto, the Nine Tails goes through a surprising change. Meanwhile, Sasuke has obtained new information found at one of Orochimaru’s old hideouts that may turn the tide of the entire war! Will the unity of the Allied Forces hold under combined fury of the Reanimated Jinchuriki and their mysterious commander?
Matt Kamen weighs the difference between the original series and the newer Shippuden episodes of Naruto.
With hundreds of episodes under Naruto’s belt, it can be easy to forget just how far the world’s favourite orange ninja cadet and friends have come since their first days at school. The release of the complete first season of Naruto Shippuden seems the perfect time to look back at some of the key players in the saga, and see where the new series finds them – and haven’t they grown…?
Tom Smith dives in to the band behind Naruto Shippuden Box 15
Who’s NICO, and what’s their obsession with walls? It’s a question you may ask yourself upon discovering the artist name behind Naruto Shippuden’s eighth opening theme. They call themselves NICO Touches the Walls and, despite the ridiculous name, they are a pretty big deal in Japan right now.
Paul Browne rewinds from Naruto Shippuden: The Lost Tower into the past
In the latest Naruto film The Lost Tower, the title character and his comrades embark on a mission to capture Mukade – a missing ninja who has the ability to travel through time. Mukade’s plan is to travel into the past and take control of the Five Great Shinobi Countries. During the battle with Mukade, Naruto and Yamato find themselves hurled back twenty years in time. Will Naruto and his friends be able to return to his own time? And will their actions in the past save the future?
Tom Smith on the Britmaniacs behind the Naruto theme.
They’re so loud and proud that they insist on writing it all in caps: ASIAN KUNG-FU GENERATION – possibly one of Japan’s most important alternative rock acts. The group’s tenth single ‘After Dark’ makes for the energetic, guitar-heavy opening theme to the latest volume of Bleach, released in the UK this month, and the group’s sound might at first seem reminiscent of America’s indie scene dashed with elements of punk, it actually has a lot more in common with The Who, their generation, and the sea of British-based guitar heroes that have appeared since.
As Naruto ups the ante and swears to take on Sasuke alone in box set 18 of Naruto Shippuden, the team responsible for the encompassing episodes’ ending theme have also took it upon themselves to up the pace.
Paul Browne on the pop duo with multiple anime connections
K’s stirring theme song ‘KINGS’ comes courtesy of J-Pop duo angela. Consisting of vocalist Yamashita Atsuko and multi-instrumentalist Hirasato Katsunori (aka KATSU), angela are a familiar name when it comes to anime theme tunes.
Evangelion started as Neon Genesis Evangelion, a 26-part TV serial in 1995. It used a familiar Japanese plot template: the teenage boy who drives a giant robot (or in Eva’s case, cyborg), using the huge and frightening body to fight monsters and save Earth. The lyrics of the TV song express the myth. “Like an angel without a sense of mercy / Rise young boy to the heavens as a legend!”
Andrew Osmond on why the Kaguya director deserves an Oscar
On February 22nd, The Tale of the Princess Kaguya, directed by Isao Takahata, will compete at the eighty-seventh Academy Awards. It’s a moment long overdue. Takahta has been called the Ozu of animation; it’s a medium he’s worked in since 1959, making both rarefied artworks and nationally-beloved favourites.
Andrew Osmond on the history of animation’s corner-cutting secret
Rotoscoping and its descendants are an important part of American cinema, and recognised today. Many film fans know, for example, that Gollum, Peter Jackson’s King Kong and the rebel anthropoid Cornelius in the Planet of the Apes reboot are all based on physical performances by one actor, Andy Serkis. Again, it’s common knowledge that the Na’vi aliens in Avatar were human actors ‘made over’ by computer – the digital equivalent of those guys wearing prosthetic foreheads and noses in the older Star Trek series.