When Yu Narukami moves to the country town of Inaba to stay with his uncle and cousin, he's expecting a lot more peace and quiet than he's used to in the big city. What he isn't expecting is for his uncle's job as a police detective to spill over into his own life, or for the murders that are occurring across town to be somehow linked to Yu's own strange experiences, odd local weather patterns, and a mysterious TV show world that seems to be attempting to get Yu to enter it! Now, together with a new group of friends, Yu must plunge into a bizarre alternate reality where he gains unique abilities that will either help him solve the riddle of the mystery killer... or lead him to his doom.
Helen McCarthy tries to avoid getting sucked into the screen
There's nothing new under the sun. The idea of people caught inside a TV screen isn't new, even in anime: Video Girl Ai did the same thing back in the days of cassette tape. The idea that in another reality, you have special powers and a vital purpose, has been exploited by shows from Sailor Moon to Vision of Escaflowne. The displaced teen hero is found in myriad places, from Princess Mononoke's early Japan to Fullmetal Alchemist's Nazi Europe. The sentai concept, the teen-led team with its mix of strengths and mutual respect goes all the way back to the 60s, with Osamu Tezuka's puppet adventure Galaxy Boy Troop predating 1966 anime Rainbow Sentai Robin.
Persona 4 was originally released in 2008 on the PlayStation 2 and is currently available in brilliantly enhanced form as Persona 4 Golden on the PlayStation Vita. While the tale of the nameless hero (Yu Narukami in the anime) and his friends in the small but macabre town of Inaba became arguably the most popular entry in the Persona series of role-playing games, it was far from the first.
Andrew Osmond on the final part of Persona 4: The Animation
The third and last volume of Persona 4 The Animation – released like its predecessors as a Blu-ray/DVD combo pack – shows the full spectrum of the series. The first volume was adventure-heavy, as hero Yu and his growing circle of friends sought the serial killer dispatching victims in the country town of Inaba; a mystery linked to a foggy fantasy world behind the TV screen. The second volume tied up – well, seemed to tie up – that arc early on, then told lighter-hearted stories tying into the show’s theme of friendship. However, Volume 2 ended with another action-heavy story confirming that the serial-killer mystery wasn’t solved, and recruiting the last warrior in Yu’s band of heroes – the cross-dressing “boy” detective Naoto, voiced by Japanese actress Romi Park (Edward Elric in Fullmetal Alchemist Brotherhood).
Jasper Sharp runs the numbers on newly-released statistics
The incendiary claims put forward last October by Takeshi Kitano that “the Japanese film industry is going to ruins” seemed to hit a raw nerve with many in the industry and were widely reported in the international press.
Kaguya has plenty to please Oscar voters. Unlike some of Takahata’s films, it’s extremely accessible to Western viewers. As MyM magazine put it, “You watch Takahata’s film and you can hear the underlying millennium-old tale as if it’s being read to you aloud, at bedtime surely, to your childhood self.”
"The action scenes remain superlative, designed and executed in a way Western live-action directors would do well to study. The way character moments are woven within elevates them above mere technical exercises. The Prague shoot-out and Tokyo car chase are the sort of gems that prove that anime can still trump live-action in the same creative arenas when it wants to."
Right, hands up those of you who have been betting on which 1990s anime would get a Western live-action remake first. Ok, who had Ghost in the Shell? Evangelion? Cowboy Bebop? But Yasuomi Umetsu’s notorious sexed-up actioner Kite (1998) has beaten them all to the screen, starring anime fan Samuel L. Jackson.
Andrew Osmond says if you liked that, you might like this…
“Sometimes you are thrown complete curveballs. So you will think that you are watching a series about a bunch of schoolchildren fighting aliens... and then one of them will stick their finger up another one's bum..."
In the dark days between the closure of the first Bandai-Gundam Museum in 2006 and the proliferation of Gundam cafes across Japan’s capital over the past few years, a small glimmer of mecha-shaped light remained for anime fans near Japan’s capital: the Bandai Museum in Mibu, Tochigi Precture. This new “Omocha-no-machi” Bandai Museum opened in 2007, following the demise of the original museum in Chiba, offering a huge collection of toys from the Edo-period to the present day.
Mochi-tsuki (rice cake pounding) takes place during all kinds of Japanese celebrations such as Festivals and New Year. Yesterday I got to try it myself, and I have to say that there is nothing quite like the taste of fresh mochi.
Andrew Osmond on Japan's chances at this year's Academy Awards
There are two anime among this year’s Oscar nominees: Hayao Miyazaki’s The Wind Rises, competing for Best Animated Feature, and Shuhei Morita’s Possessions, vying for Best Animated Short. To date, there has been only one Japanese winner in each category. Miyazaki’s Spirited Away was the winning feature in 2002; Kunio Kato’s La Maison en Petits Cubes won Best Animated Short Film in 2008. What are the new films’ chances?
Hugh David argues that the treasure is in the detail
The biggest influence on this anime is not tabletop RPGs or even the long-standing fantasy fiction genre itself. No, the stamp of numerous Japanese role-playing videogames is all over Fairy Tail, from the Atelier series to the Final Fantasy franchise, in particular Final Fantasy XII