When Yu Narukami moves to the country town of Inaba to stay with his uncle and cousin, he's expecting a lot more peace and quiet than he's used to in the big city. What he isn't expecting is for his uncle's job as a police detective to spill over into his own life, or for the murders that are occurring across town to be somehow linked to Yu's own strange experiences, odd local weather patterns, and a mysterious TV show world that seems to be attempting to get Yu to enter it! Now, together with a new group of friends, Yu must plunge into a bizarre alternate reality where he gains unique abilities that will either help him solve the riddle of the mystery killer... or lead him to his doom.
Helen McCarthy tries to avoid getting sucked into the screen
There's nothing new under the sun. The idea of people caught inside a TV screen isn't new, even in anime: Video Girl Ai did the same thing back in the days of cassette tape. The idea that in another reality, you have special powers and a vital purpose, has been exploited by shows from Sailor Moon to Vision of Escaflowne. The displaced teen hero is found in myriad places, from Princess Mononoke's early Japan to Fullmetal Alchemist's Nazi Europe. The sentai concept, the teen-led team with its mix of strengths and mutual respect goes all the way back to the 60s, with Osamu Tezuka's puppet adventure Galaxy Boy Troop predating 1966 anime Rainbow Sentai Robin.
Persona 4 was originally released in 2008 on the PlayStation 2 and is currently available in brilliantly enhanced form as Persona 4 Golden on the PlayStation Vita. While the tale of the nameless hero (Yu Narukami in the anime) and his friends in the small but macabre town of Inaba became arguably the most popular entry in the Persona series of role-playing games, it was far from the first.
Andrew Osmond on the final part of Persona 4: The Animation
The third and last volume of Persona 4 The Animation – released like its predecessors as a Blu-ray/DVD combo pack – shows the full spectrum of the series. The first volume was adventure-heavy, as hero Yu and his growing circle of friends sought the serial killer dispatching victims in the country town of Inaba; a mystery linked to a foggy fantasy world behind the TV screen. The second volume tied up – well, seemed to tie up – that arc early on, then told lighter-hearted stories tying into the show’s theme of friendship. However, Volume 2 ended with another action-heavy story confirming that the serial-killer mystery wasn’t solved, and recruiting the last warrior in Yu’s band of heroes – the cross-dressing “boy” detective Naoto, voiced by Japanese actress Romi Park (Edward Elric in Fullmetal Alchemist Brotherhood).
Fans of K-On! The Movie’s lovely and realistic vision of London may not be aware that in between that film and Steamboy’s loving depiction of a steampunk-era Manchester and London rests a show that is as accurate as either, and yet is also arguably the most English anime show ever made. Yet it still cannot be bought on DVD in the UK itself.
Rayna Denison sneaks into the background of ninja anime
What is it about Japanese martial arts that these shows celebrate? In the case of Naruto, and now the second series, Naruto Shippuden, it is the “mysterious” art of ninjutsu that comes in for exploration and explosion.
Shigeru Mizuki is largely responsible for the modern-day yokai phenomenon, thanks to his enduringly influential Spooky Kitaro manga series and other similarly ghoulish serials like Sanpei the Kappa and Akuma-kun.
Toei Animation has announced production on Dragon Ball Super, the first all-new Dragon Ball series to be released in 18 years. Following the recent events of the hit feature film Dragon Ball Z: Resurrection, Dragon Ball Super will debut in July 2015 in Japan.
The second collection draws the entire Dragon Ball opus to a fierce close
Dragon Ball GT sees Goku and his allies fighting against some of the toughest foes the universe has ever seen. Take a look at some of the faces you’ll meet as the second collection draws the entire Dragon Ball opus to a fierce close!
Tom Smith on the band behind Bleach’s 14th Opening Theme
"The song is based on the singer’s own experiences of forming a band and the hardships endured while keeping the faith for a brighter future, with lyrics just vague enough that they could easily represent the struggles of Ichigo and pals, too."