When Yu Narukami moves to the country town of Inaba to stay with his uncle and cousin, he's expecting a lot more peace and quiet than he's used to in the big city. What he isn't expecting is for his uncle's job as a police detective to spill over into his own life, or for the murders that are occurring across town to be somehow linked to Yu's own strange experiences, odd local weather patterns, and a mysterious TV show world that seems to be attempting to get Yu to enter it! Now, together with a new group of friends, Yu must plunge into a bizarre alternate reality where he gains unique abilities that will either help him solve the riddle of the mystery killer... or lead him to his doom.
Helen McCarthy tries to avoid getting sucked into the screen
There's nothing new under the sun. The idea of people caught inside a TV screen isn't new, even in anime: Video Girl Ai did the same thing back in the days of cassette tape. The idea that in another reality, you have special powers and a vital purpose, has been exploited by shows from Sailor Moon to Vision of Escaflowne. The displaced teen hero is found in myriad places, from Princess Mononoke's early Japan to Fullmetal Alchemist's Nazi Europe. The sentai concept, the teen-led team with its mix of strengths and mutual respect goes all the way back to the 60s, with Osamu Tezuka's puppet adventure Galaxy Boy Troop predating 1966 anime Rainbow Sentai Robin.
Persona 4 was originally released in 2008 on the PlayStation 2 and is currently available in brilliantly enhanced form as Persona 4 Golden on the PlayStation Vita. While the tale of the nameless hero (Yu Narukami in the anime) and his friends in the small but macabre town of Inaba became arguably the most popular entry in the Persona series of role-playing games, it was far from the first.
Andrew Osmond on the final part of Persona 4: The Animation
The third and last volume of Persona 4 The Animation – released like its predecessors as a Blu-ray/DVD combo pack – shows the full spectrum of the series. The first volume was adventure-heavy, as hero Yu and his growing circle of friends sought the serial killer dispatching victims in the country town of Inaba; a mystery linked to a foggy fantasy world behind the TV screen. The second volume tied up – well, seemed to tie up – that arc early on, then told lighter-hearted stories tying into the show’s theme of friendship. However, Volume 2 ended with another action-heavy story confirming that the serial-killer mystery wasn’t solved, and recruiting the last warrior in Yu’s band of heroes – the cross-dressing “boy” detective Naoto, voiced by Japanese actress Romi Park (Edward Elric in Fullmetal Alchemist Brotherhood).
Andrew Osmond on a rap musical, in Japanese. Yes. Thank you. You’re welcome.
Represent! The live-action film of Akira is here… and it’s a rap musical! Okay, we’re kidding, but Tokyo Tribe takes place in a violent fantasy Tokyo of warring gangs, hence the film’s name. It’s based on a manga strip and takes a manically cartoonish approach to its material.
Fans of K-On! The Movie’s lovely and realistic vision of London may not be aware that in between that film and Steamboy’s loving depiction of a steampunk-era Manchester and London rests a show that is as accurate as either, and yet is also arguably the most English anime show ever made. Yet it still cannot be bought on DVD in the UK itself.
Paul Browne on the songstress behind the dramatic ending theme
‘Utsukushiki Zankoku na Sekai’ (This Beautiful Cruel World) is, on the whole, a wistful and enigmatic song that seems strangely disconnected from a series that regularly deals with death and despair. Yoko Hikasa’s mesmerising vocals manage to draw the viewer in, lending an air of reflection and regret.
Who watches the watchmen watching your thoughts...?
Psycho-Pass; the first half of the name should warn you. This is a blend of SF and horror by the studio which brought you Ghost in the Shell, now splicing cyberpunk, police procedural and splatter. There will be blood, and dismembered body parts, and if no-one’s actually eaten a human liver on the show yet, there’s still Psycho-Pass 2 to come.
Mamoru Oshii’s unashamedly esoteric sequel to his earlier global crossover Ghost in the Shell lent the most credibility to claims for anime as ‘Art’ with a capital ‘A’, when it became the first animated film from Japan to be entered in competition at Cannes.
Andrew Osmond rend compte d'une exposition dans un musée à Paris
If you’re a Ghibli fan in Paris in the next few weeks, then you owe it to yourself to visit the Art Ludique Museum and take in one of the most amazingly comprehensive exhibitions mounted on the studio. Filling the building, the exhibition consists of 1,300 layout drawings from the studio’s three-decade history; from 1984’s Nausicaa through to 2014’s When Marnie was There, plus a section on Ghibli’s prehistory.