Internet phenomenon Vampybitme, a.k.a. Linda Le, volunteered to be our voice acting boot camp guinea pig. So we flew her off to Bang! Zoom Entertainment to try her skills on the Evangelion video blog. If you thought it was as easy as standing in front of a microphone, then prepare to be amazed. Where should you stand, for starters...? How does the depth of your voice affect the sound quality? How do you feel right now, and how does that affect your performance...?
And check out the result -- Vampy's own version of the Evangelion 2.22 video blog from our own Manga website.
New Pilots, New Evas, New Angels The landmark anime Evangelion evolves, reaching new heights of intensity in the new feature film: Evangelion 2.22. In this explosive new story, brutal action and primal emotion clash as a group of young pilots maneuver their towering, cyborg Eva Units into combat against a deadly and disturbing enemy. In the battle to prevent the apocalyptic Third Impact, Shinji and Rei were forced to carry humanity’s hopes on their shoulders. Now, as the onslaught of the bizarre, monstrous Angels escalates, they find their burden shared by two new Eva pilots, the fiery Asuka and the mysterious Mari. In this thrilling new experience for fans of giant robot destruction, the young pilots fight desperately to save mankind – and struggle to save themselves.
Hideaki Anno, the director of Evangelion 2.22, knows the viewers are transitory, but fans are forever. It doesn’t matter if you call them true believers, or plain otaku. The fans are the twenty-somethings who sit in the cinema through the lengthy credits of Thor or Captain America, just so they can see the prelude to the next Marvel spectacular. In Tokyo, they’re the people who queue at seven o’clock on a Saturday morning at a Shinjuku cinema, as they did when the first bigscreen Eva reboot – Evangelion 1.11: You Are (Not) Alone - opened in 2007.
Evangelion started as Neon Genesis Evangelion, a 26-part TV serial in 1995. It used a familiar Japanese plot template: the teenage boy who drives a giant robot (or in Eva’s case, cyborg), using the huge and frightening body to fight monsters and save Earth. The lyrics of the TV song express the myth. “Like an angel without a sense of mercy / Rise young boy to the heavens as a legend!”
Andrew Osmond finds terror tactics, national disasters and rogue states in King of Eden.
[Spoiler warning: this piece gives away some story points from the original Eden of the East TV series.] The story begun in the anime serial Eden of the East continues in King of Eden, the first of two feature film sequels by director Kenji Kamiyama (Ghost in the Shell Stand Alone Complex) and Production I.G. Of course, we’re mainly watching to find out what will happen next to the main characters: Akira Takizawa, the daffily spontaneous player of a game to save Japan, and Saki Morimi, who fell into his adventure and then for him. Of course, we do find out what the pair do next; but Kamiyama also wants to show us what’s been happening to Japan.
Warning against surprise attacks by alien galaxies from beyond space
The colourfully mad Gatchaman Crowds is one of those anime which isn’t happy unless it’s doing umpteen things at once, all seeming completely different. It’s a campy, lowbrow action show and a thinky piece of SF and an otaku series with a taste for the meta and it’s anxious to engage with the real world. You can watch it just for the tangerine colours and the shouty panda. But if you want more pointers, read on…
Tom Smith on the newest numero-enchanted musicians
It may sound odd to English ears, but 7!!’s choice of pronunciation makes sense (well, a tiny bit of sense) when put into the context of where the band grew up; Okinawa. It’s an area that’s closer to Taiwan than mainland Japan, and one that’s had a heavy US military presence since the Second World War. These factors, among plenty of others, have had an affect on the cultural evolution of the islands, and one of the most evident examples can be found in local popular music scene.
The Japan Foundation’s annual touring film programme is back for another year, and kicking off at London’s Institute of Contemporary Arts at the end of the month. Now in its tenth iteration, the season offers audiences across the UK an insight into Japan and its cinema by way of a wide-ranging and accessible selection of titles assembled under a certain theme. This year, that theme is youth, with the eleven-film ‘East Side Stories: Japanese Cinema Depicting the Lives of Youth’ programme travelling to eight venues across England, Scotland and Northern Ireland from 31 January to 27 March.
Is the One Piece movie a subtle dig at Studio Ghibli...?
"In the period just after Hosoda left Howl, it must have been devastatingly disappointing, to a man in an industry where artistic achievement counts for more than pay cheques. And so the story has risen: that Omatsuri is Hosoda’s venting of his demons, that Luffy’s howls of despair are Hosoda’s own."
It’s a truism widely acknowledged in the anime world that so many Japanese cartoons are obsessed with fantasy figures of 15-year-old schoolgirls because they are aimed at audience of desperate teenage boys. But Sharon Kinsella’s latest book, Schoolgirls, Money and Rebellion in Japan, points to a wider media malaise...
The second collection draws the entire Dragon Ball opus to a fierce close
Dragon Ball GT sees Goku and his allies fighting against some of the toughest foes the universe has ever seen. Take a look at some of the faces you’ll meet as the second collection draws the entire Dragon Ball opus to a fierce close!
Japanese duo Tacica won’t be winning the Manga UK Blog award for most original song title anytime soon, mostly because no such award exists. But if it did, they still wouldn’t win. Especially not with the title of their hit single and Naruto Shippuden opener, Newsong.
The director of Ghost in the Shell on being digital
"For the first time in my career I was dealing with something that existed only as data within a machine. In a way, I felt shocked, but at the same time I understood that it was the prelude of what my job as a filmmaker was going to be."